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妖精一樣的女人卻單純。男人的復雜面和單純面，是愛中和愛之外的反射。

從田中革命開始進入正軌。 人從來都不是能簡單的用好與壞進行區(qū)分的。

只有在文學中靈動的人兒 見到的一切世界級的場面 攝影 調度 隨處可見的意式靈魂 古典流傳展開盛放的華麗畫卷 與冷風欲出的市井凄涼破敗角落 一墻之隔 都是自然顯露

雖然角色都是動物造型，但故事卻不像動畫，比其它新番更嚴肅也更像電視劇，而且故事非常完整，前期的每個伏筆都在最后一集回收了，小戶川落水的那段鏡頭和bgm莫名讓我想起《木蘭花》里的青蛙雨，算是全劇的最高潮，而結尾兇手和小戶川相遇的戲還給了觀眾想象空間，真是完美的劇本??！

Coexistence of romanticism with Visconti's realism in a most natural & authentic blend. A fairly eventless dialogue-driven story takes two lonely hearts around a wonderful walk through the explicit reconstitution of a small Italian town by the sea, full of tiny bridges and narrow streets. A few uninspired dialogues contributed to a couple of bland moments, quickly eclipsed by a memorable & invirogorating dance scene to shake some waists up before an exceptional finale. In it the emotional outburst & heart-breaking separation are symbolized by the positioning of the characters in deep field and the travelled distance of the Eternal Woman from one man to the other. Deceit & Self-deceit...