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荒涼的西部 層層鋪墊的緊張 2011.9.3 九亭

劇本好差，是缺錢(qián)還是缺編劇？？

The very first modern western movie, and the model for all of those to come. The elements of narration and filmography that it sets hold steady until now and probably for still a long time - see Tarantino's hateful eight for their confirmation. Most of the ideas on it are simple, but it takes a master to put the ingredients all in place and to cook something this delicious. Without any obvious main character, but rather a complex mix of persona, each cristallizing a class or a segment of society. This a Western movie to be sure, with all the parts that make up the mechanics, but it is above all a satire. One that is politically engaged too, especially in regards to the banker role.

以余秀華離婚作為切入點(diǎn)，選材非常妙。進(jìn)場(chǎng)不多久，我就完全控制不住地哭泣。我看到了一個(gè)天真爛漫的理想主義者，不滿(mǎn)肉身的困頓，更不滿(mǎn)靈魂的貧瘠。她對(duì)愛(ài)充滿(mǎn)向往，卻在現(xiàn)世中無(wú)法獲取而凄涼。敏感，脆弱，也堅(jiān)強(qiáng)，滿(mǎn)滿(mǎn)都是一個(gè)富足的靈魂在苦痛掙扎。想必詩(shī)歌只屬于那些單純、敏感、真誠(chéng)的人。

驛馬車(chē)搭載的冒險(xiǎn)旅途，每個(gè)乘客都刻畫(huà)得性格鮮明各具特色，酗酒醫(yī)生最為突出。馬車(chē)過(guò)河和與印第安人騎馬槍?xiě)?zhàn)極為精彩，尤其后者給屏幕前觀者的震撼沖擊力堪比3D感受。而開(kāi)場(chǎng)時(shí)細(xì)節(jié)交代稍潦草，直到生子時(shí)都沒(méi)看出Lucy是孕婦，妓女的身份也始終未點(diǎn)破。此外根本不是改編自羊脂球，國(guó)內(nèi)傳訛實(shí)在太多。